000 | 01113cam a2200301 4500 | ||
---|---|---|---|
001 | 1780935676 | ||
008 | 121210r20131950en fW 0000 eng | ||
016 | 0 | 0 |
_a100=NOTNACO _a700=NOTNACO |
020 | 0 | 0 |
_a9781780935676 _bm |
020 | 0 | 0 |
_a1780935676 _bv |
040 | 0 | 0 | _aBDS |
041 | 0 | 0 | _aengrus |
072 | 0 | 0 |
_aPER _bPerforming Arts _weflch |
072 | 0 | 0 |
_aPER _bPerforming Arts _wukslc |
082 | 0 | 0 |
_a792.028 STA _c23 |
100 | 1 | 0 |
_aStanislavsky, Konstantin _c1863-1938, |
245 | 1 | 0 | _aBuilding a character |
260 | 0 | 0 |
_bBloomsbury _c2013 |
306 | 0 | 0 |
_axiii, 256 pages _c22 cm _epbk |
358 | 0 | 0 | _b20130425 |
365 | 0 | 0 | _a9.99 |
490 | 0 | 0 | _aBloomsbury revelations |
500 | 0 | 0 | _aTranslated from the Russian |
520 | 0 | 0 | _aStanislavski's 'system' or interpretations of it - has become the central force determining almost every performance we see on stage or screen. His classic texts 'An Actor Prepares', 'Building a Character and Creating a Role' have stood the test of time as inspirational guides for actors all over the world. |
650 | 0 | 0 | _aMethod acting |
700 | 1 | 0 | _aHapgood, Elizabeth Reynolds |
942 | 0 | 0 | _07 |
999 |
_c106586 _d106586 |