000 | 01077cam a2200313 4500 | ||
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001 | 0471469645 | ||
008 | 031009s2004 us kW 0001 eng e | ||
016 | 0 | 0 |
_a100=NOTNACO _a610=NOTNACO |
020 | 0 | 0 |
_a9780471469643 _bm |
020 | _a0471469645 | ||
040 | 0 | 0 | _aBDS |
072 | 0 | 0 |
_aMUS _bMusic _wukslc |
082 | 0 | 0 |
_a782.4216 GOL _c22 |
084 | 0 | 0 | _a784.5 BEA |
100 | 1 | 0 |
_aGoldsmith, Martin _c1952- |
245 | 1 | 0 | _aThe Beatles come to America |
260 | 0 | 0 |
_bWiley _c2004 |
306 | 0 | 0 |
_axi, 196 p. _c21 cm _ehbk |
358 | 0 | 0 |
_b20040215 _cIP |
365 | 0 | 0 | _a13.50 |
490 | 0 | 0 | _aTurning points |
504 | 0 | 0 | _aBibliography: p. 187-188 |
504 | 0 | 0 | _aFilmography: p. 188 |
504 | 0 | 0 | _aIncludes index |
520 | 0 | 0 | _aOn the Beatles' 1964 visit to the USA, a breathless and condescending media concentrated on the band's hairstyles and their adoring fans, but their enduring importance lay in their music, their wit and style - a disconnect that signalled the beginning of the generation gap. |
610 | 0 | 0 | _aBeatles |
650 | 0 | 0 |
_aRock groups _xTravel _zUnited States |
710 | 2 | 0 | _aBeatles |
999 |
_c38607 _d38607 |